Catherine Tracy clings to her only daughter Kate, who died in 1854 at the age of seventeen.
The neglected lichen-covered monument still vividly evokes a mother’s grief even 150 years later. I imagine Catherine coming to stand at the grave when the statue was new, then ten years later and twenty-five. The stone’s forever. I wonder how her feelings about it changed.
Sculptures always get my camera clicking when I explore a graveyard. Some are just gorgeous. Others tug at my heart stings or get me thinking. There are the ones like Kate Tracy’s that are obviously there for the particular benefit of her grieving family.
And then there are the in-your-face, ostentatious monuments. The only thing they say about the deceased is, I WAS RICH! I like those too.
Ordinary stones are great. Heck, I can get excited just reading the names and dates – Did they lose all of their kids in the flu epidemic? – She died in childbirth. He never remarried? – She may have been poor, but somebody sure loved her….
But sculptures can say as much as epitaphs. Maybe not what the mourners intended. Maybe much more. Take a look at nine-year-old Ryan Allen Scott Vanden Broeder’s guardian. This one astounds me. I know there’s a story here, but no amount of googling revealed it. What do you think?